THE MAYFLOWER INHERITANCE by m.j. grey
The Mayflowers have always been good people.
That's the problem.
A SAVAGE FAMILY SATIRE ABOUT INHERITANCE, IDENTITY, AND THE TRUTHS NICE PEOPLE BURY.
about the mayflower inheritance
It’s Thanksgiving at the Mayflower home—a crumbling Colonial in Connecticut where the wine is strong, the family ties are weak, and the tension could carve the turkey itself. As the meal unfolds, protest puppets take the floor, cranberry sauce gets political, and the music box on the coffee table just might be hiding something.
Ari, the youngest Mayflower, arrives from Stanford unannounced, pale and rattled, while insisting he’s fine. Something on campus has shaken him to the core, and the family’s well-practiced rituals of avoidance fall apart before the holiday dishes are cleared. As three generations clash over identity, ideology, and the stories they tell themselves, they soon learn that the world outside their dining room is not as distant as they’d hoped.
When political convictions buckle under pressure and a long-buried secret forces its way to the surface, the Mayflowers must confront more than their lineage. They must face the harm they’ve overlooked, the histories they’ve rewritten, and the truth they’ve pretended not to see. Sharp, satirical, and emotionally unflinching, The Mayflower Inheritance is a dark comedy about privilege, performance, and what it costs to see—and be seen—in a moment when certainty is its own kind of danger.
When does the pursuit of justice become its own form of injustice?
Genre: Dark comedy, family drama | Cast: 7 actors (4 women, 3 men) | Setting: Single living room/dining room set | Run time: Approx. 75 minutes | Themes: Family, identity, intergenerational trauma, political silence, performative allyship | Music: Optional live/ambient motif
a play for this moment
Culturally urgent.
In a moment when identity is politicized, dismissed, or ignored, The Mayflower Inheritance offers space for visibility, nuance, and difficult truth—without preaching.
Emotionally and theatrically rich.
A seven-character ensemble with complex, generational dynamics. Strong roles for women 40+, two compelling young adult parts, and a scene-stealing matriarch.
Inspired by real events.
Based on a series of documented campus incidents post–October 7, the play explores the liability of American Jewish identity not through policy or protest, but through the personal impact on a single interfaith family.
Tone that draws audiences in.
Satirical, poignant, and fast-paced. The humor disarms. The reveals devastate. The shifts are earned.
A mirror for progressive contradictions.
It interrogates allyship, performative politics, identity fatigue, and the silence of “the good people” when someone they love becomes inconvenient.
Everything in this play happened. Just not to the same family.
Highly castable, producible, and relevant.
One set (a living room), minimal tech, no fight choreography. Content that’s bold but grounded, with immediate post-show conversation potential.
Designed for the stage—not the screen.
This story needs to be felt in a room. It invites the audience to sit with discomfort, contradictions, and moral ambiguity—together.
Not a play about geopolitics.
The play doesn’t interrogate geopolitical arguments. It's about erasure, belonging, and the cost of being seen. It centers identity, not ideology.
Watch the trailer. I dare you.
about the playwright
M.J. Grey is a Southern California playwright and co-founder of The WhatNext? Collective, where she champions diverse experiences through provocative theatrical storytelling.
Her distinctive voice—shaped by an eclectic background in music composition, stand-up comedy, and long-form improv—infuses her work with sharp rhythmic precision, unexpected theatrical turns, and raw emotional honesty. This unique perspective drives plays that excavate humor and vulnerability from life's messiest moments.
Grey's full-length play Cringe premiered at the 2025 Trinity Theatre Company New Works Festival, following acclaimed productions of Trial and Error (2021) and A Walk in the Park (2022). Recent works including Sugar Coded, Thirty-five Candles, The Mayflower Inheritance, and Shadows and Echoes continue her exploration of complex lives caught between comedy and crisis. Her versatility extends across forms, with monologues and short stories featured in Shaking the Tree Volumes 5, 6, 7, and 8.
An engaged advocate for the arts community, Grey serves on the boards of the San Diego Performing Arts League and the IRTS Foundation. She is an active member of the Dramatists Guild, the International Centre for Women Playwrights, and Honor Roll.
Grey writes with fierce clarity, sharp rhythm, and characters who refuse to stay quiet.
Let’s get in touch.
Interested in talking further? I’d love to hear from you.
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